The latest…

Hello!

In a day and age when all we hear about is one artistic institution falling after another, it’s nice to get some good news. Ever since I first played with Novus NY, the contemporary music ensemble at Trinity Wall Street in 2011, it’s been full of good news. Trinity has been known for years for its commitment to the arts, but last year Julian Wachner, its new music director, decided to extend that umbrella to include contemporary music. This year, with the Twelve in 12 festival, they are doing something entirely unique and completely incredible.

During the course of the festival, we’re going to play a piece by each of the last twelve winners of the Pulitzer Prize in music. The festival actually kicked off last week….but I wasn’t playing in that concert so I forgot to write about it. However, I am playing this week, next week and the week after. All of the concerts are on Thursdays (today!) at 1pm at Trinity Wall Street, are free and will be streamed live here. Even if you can’t make or watch the show live, Trinity archives all of its concerts for viewing at your leisure (check out this gem from last year – the Wanmu trio plays percussion music by de Mey, Kagel and my good friend Jordan Kuspa).

And now for the music….this week we’re playing two Pierrot ensemble pieces: these broken wings by David Lang and wissahickon poeTrees by Jennifer Higdon. Rounding out the program will be John Corigliano’s solo piano work Winging It performed by Novus and Trinity’s own music director – Julian Wachner.

Next week features Yehudi Wyner’s The Second Madrigal and Kevin Puts’ Einstein on Mercer Street. The Puts was actually commissioned by the excellent Pittsburgh New Music Ensemble (a group I had the pleasure of performing with this past summer) and it turns out to really be one of the best pieces I’ve heard recently. Finally, two weeks from now we finish with a bang: Henry Brant’s Four Skeleton Pieces, John Adams Son of Chamber Symphony and Steve Reich’s powerful Daniel Variations.

Hope to see you there!

 

Allow me to take a moment to drag you away from the Olympic dressage and water polo that you must be watching (have you ever checked out water polo? that sport looks HARD) to tell you a little bit about what I’ve been up to this summer, and what’s coming up in the fall!

First of all, I’m so excited to announce the official launch of my website - iandavidrosenbaum.com! It’s been in the works for a while, and I’ve only had the time in the last few weeks to put the finishing touches on. A big thank you goes out to my brother for the design and Matt Fried for the photos. Please look around and let me know what you think! My whole calendar is up here, along with videos, audio clips and some more pictures. It’s still evolving, so please check back often.

This summer, I’ve been very fortunate to make music with a lot of really great people. At the end of June, I joined six incredible percussionists, six fantastic young composers, the world-famous Amadinda Percussion Group, composer extraordinaire James Wood, and my good friends Martin Bresnick and Bob van Sice up at the Norfolk Chamber Music Festival for their New Music Workshop. Over the course of about 10 days, we learned, rehearsed and performed something like 25 pieces, including a brand new James Wood sextet, classics by Steve Reich and Béla Bartók and 12 world premieres! It was some of the most intense work I’ve ever done, and while I’m not really in a hurry to do it again anytime soon, it was really an incredible experience. Norfolk is also beyond beautiful…..so that didn’t hurt.

After that, I flew down to Pittsburgh to join the Pittsburgh New Music Ensemble for two weeks of their season. Even if you don’t live in the Pittsburgh area, you need to check these guys out. Each of their concerts combines theatricality with music in a way that is extremely engaging and fun to watch. Along with the stellar musicians and artistic director, they have a wonderful full-time lighting designer who transforms each show into a visual experience as well as an aural one and a superb sound designer who makes the black box theatre that we played in sound like Carnegie Hall. We played some incredible music (including a wonderful work by my friend Amy Beth Kirsten with soprano Lindsay Kesselmen - another wonderful musician you should check out) and I had a terrific time down there.

The day after I flew home from Pittsburgh, I drove upstate to the New York State Music Festival to give a clinic to the percussion students and to play a recital. Now, back in 2005, just when I was graduating high school, I was a counselor at this festival, except that it was located at a different school down the street and had a slightly different name. It was fantastic to see so many familiar faces, and I really loved working with the students there. The concert was a lot of fun and you can check out some photos from the event here (scroll down a little bit). As I normally do, I played a bunch of pieces by Andy Akiho, and they brought down the house (as they normally do). I don’t even know why that surprises me anymore.

Speaking of Andy, our group Foundry is playing a show at the Noguchi Museum in Queens this Sunday at 3pm! Your ticket is free with the museum admission, so what better way to check out the exhibits and then hear some great music? Our old friend Domenic Salerni is coming up to join us on violin, so you don’t want to miss this. More information here.

After that, I go up to New Haven to record A Message from the Emperor, a duo for marimba, vibraphone and spoken Kafka text by Martin Bresnick that I helped commission while I was still in school with longtime collaborator Mike Compitello. This recording will go on Martin’s upcoming disc – I’ll let you know when I know something about its release!

As we roll into September, NOVUS NY (the contemporary ensemble at Trinity Wall Street) presents a very cool series of concerts – the Twelve in 12 festival. Basically, we are playing a piece by each of the twelve most recent winners of the Pulitzer Prize in music. There’s some pretty fancy names on that list – Steve Reich, David Lang, Kevin Puts, Jennifer Higdon and John Adams, just to name a few. These pieces are spread out over four concerts, all on Thursdays at 1pm – September 6, 13, 20 and 27. You can see the full schedule here, and I will play in the shows on the 13th, 20th and 27th. These concerts are all FREE but tend to fill up, so get there early. There’s information on location and such here.

I’m not sure if I mentioned this in an earlier email, but in the Spring of 2011 I auditioned for and was accepted to the Chamber Music Society of Lincoln Center’s Young Artist program - CMS Two. My residency starts this fall and kicks off on October 18th with a performance of George Aperghis’ piano/marimba duet Quatre pièces fébriles with the wonderful Gilles Vonsattel. This show is in the Kaplan Penthouse in the Rose Building, and you can get more information on location and tickets here. This concert will be streamed live, so those of you who can’t get to NYC, check out that link! I can’t tell you how excited I am to start this program, and I’d love to see some of you there.

That’ll do it for now. Check out that fancy little sidebar to the right for a concise listing of my upcoming events, sign up for my mailing list if you haven’t already and please check back often for updates!